Old Man’s War Synopsis
John Perry did two things on his 75th birthday. First he visited his wife’s grave. Then he joined the army.
The good news is that humanity finally made it into interstellar space. The bad news is that planets fit to live on are scarce– and alien races willing to fight us for them are common. So: we fight. To defend Earth, and to stake our own claim to planetary real estate. Far from Earth, the war has been going on for decades: brutal, bloody, unyielding.
Earth itself is a backwater. The bulk of humanity’s resources are in the hands of the Colonial Defense Force. Everybody knows that when you reach retirement age, you can join the CDF. They don’t want young people; they want people who carry the knowledge and skills of decades of living. You’ll be taken off Earth and never allowed to return. You’ll serve two years at the front. And if you survive, you’ll be given a generous homestead stake of your own, on one of our hard-won colony planets.
John Perry is taking that deal. He has only the vaguest idea what to expect. Because the actual fight, light-years from home, is far, far harder than he can imagine–and what he will become is far stranger.
When I lifted Old Man’s War by John Scalzi from the library shelves, the soft cover art had me nostalgic for that of Ender’s Game, one of my first sci-fi reads. The initial line in the synopsis packed punch and the rest promised mystery, so I gave it a go.
What I Liked
While I won’t give some of the twists away (because they’re good twists), the premise of Old Man’s War involves the elderly returning to youth in return for the promise to fight in an intergalactic war both never-ending and ever-shifting. The tone leans into the oppressiveness of war, the way its horrors translate across space and species, but can take forms so much worse than anything humans have perpetuated on earth. Those joining the military cannot imagine what they will face, and are forbidden from contacting anyone back home after joining. They are, after all, dead to their world.
John Perry comes off as an Everyman, neutral enough for anyone to step into his shoes and see the world – and the universe at large – through his view. He gains friends and grows attached to some people, but seems less than effected when war wipes them out. Distant. Even the chapters of Old Man’s War describing these deaths step back, as if to avert the reader’s gaze from the impersonality of war, just a little. He does, however, love his deceased wife more than anything, holding onto his feelings for her as if they can supplement his own emotions.
Showing an aptitude for staying one thought ahead of constantly changing battlefields, John Perry adapts to war and, as much as he can, excels at it. To the point of ultimately joining the military’s most elite branch, even if he forever hovers at the bottom of their ranks. Though death almost claims him countless times, he lives war as if he has known no peaceful life.
War doesn’t care about you. From the beginning to the end, Old Man’s War reiterates that death happens in an instant and often for no reason. Soldiers must find meaning in the tiny things or die with nothing. Even then, no one can say whether it matters in the end except the dead.
The ending of Old Man’s War felt just a little rushed. The buildup and rising action worked great, but where the components for winning a decisive battle should have come together, they seemed to come out of nowhere and then vanish into dust. Perhaps because averting one disaster means just going on to the next crisis, rendering the details somewhat unimportant.
With the recognition that Old Man’s War was written during an earlier literary time than the era in which we find ourselves today, the narrative contained some troubling tropes. While I still enjoyed the story and the message it had to offer, it still contained aspects of the Bury Your Gays and Manic Pixie Dream Girl tropes. I’m not saying don’t read it, but I am saying be prepared.
My Rating: 3/5 stars
Goodreads Rating: 4.24 stars
Thanks for reading!
Subscribe to my list of readers who get new stories, sneak peeks, and book reviews delivered to their inboxes.
Featuring “I Hope This Email Does Not Find You!”
The last eight years have been the warmest on record.
Little Blue Marble‘s anthology of speculative climate fiction and poetry from an international slate of authors mourns and hopes in equal measure for the fate of our world and its ecosystems.
May these visions of the future inspire collective action before climate chaos becomes irreversible.
Show Your Support
If you enjoy my writing, please consider leaving a tip. All amounts welcome!