Deep down, or maybe not so deep down, writers know the value of a good opening sentence. Because writers are readers and have read a multitude of first sentences that draw them straight into the story. Even if you don't know how, you know why: the hook. That magical gimmick that entices readers to keep reading, to buy the book, to read to the end, to tell their friends.
So I'm sure you know why you need The Hook. But how to create it? Structure it? Incorporate it into your story?
Do your sentences ramble with a bunch of important details attached to the the ends? Like the equivalent of remembering relevant information for the story you're telling your co-worker, but only after you've told most of it.
When you notice your sentences always or often follow this pattern, you may begin wondering how to fix this. Add more punch. Sprinkle your sentences with style, like those writers whose sentences pulse through the page like magic.
Below, check out how to mix your dull and extraneous sentences up and bring them to life!
I'm not telling you to develop a thick skin, because you may never manage that. But I am telling you to be brave. And most of all, clever.
How to talk about passive voice as a useful thing? An okay thing? An allowed thing? So many of us as writers have received the advice that we need to change the passive voice in our work to active voice. This is good and important advice. You should do that.
Reading too much passive voice is unpleasant and boring. But, contrary to what short, insightful, and thought provoking nuggets of wisdom like write in active voice would have you think, passive voice has a place in your prose. Albeit, a sparing one.
Thank you to Words on Key for nominating me for the Sunshine Blogger Award. You are too kind for including me in your list of nominees. Everyone should go check out their work; the aim of their blog is to write and share their work with other word nerds (like me and you!). Feel free … Continue reading Sunshine Blogger Award